The
fourteenth century was an age of unprecedented catastrophe
for western Europe: widespread famine due to climate
change, economic collapse, uncontrollable heresies,
social upheaval, endemic war and, to compound the
misery, the physical and psychological devastation
of the Black Death. In all of recorded history there
has never been before or since a period of such utter
disaster: one half of Europe's population died due
to the effects of famine, war and the Black Death.
As a result, Europeans emerged from the fourteenth
century profoundly - and frighteningly - changed.
Medieval Europe had been an intensely spiritual society:
the salvation of the soul was paramount. Fifteenth
century Europe abandoned spirituality for secularism,
materialism and worldliness, its peoples embraced
technology and science, and developed the most aggressively
invasive mentality of world history. Why this profound
shift from the internal quest for spiritual salvation
to a craving for world domination? Was it just the
end result of over a hundred years of catastrophe
... or was there another reason?
The
Crucible is a historical fantasy trilogy based
on the grim events of the fourteenth century and
on the medieval Catholic Church's deliberate misinterpretation
of the story of the death of Jesus. It recreates the
world as medieval people understood it, a world of
evil incarnate, a world where demons and angels walked
among mere mortals, a world where every event was
as a result of either the hand of God, or of the Devil,
or of the blessed intervention of Christ Himself.
In this world none of the multiple crises and miseries
of the fourteenth century were 'accidental', or the
results of natural forces, they were the by products
of an extraordinary battle between the forces of good
and evil, between the religious orders of the Church,
aided by mysterious and often frightening angels of
God, and the horrifying shapeshifting minions of the
Devil: demons, imps and the even more infernal creatures
that swarmed out of the dark forests of central Europe.
The Devil had come to confront God, and he had picked
Europe as his battleground.
The
trilogy is set around the adventures of Thomas Neville,
an English nobleman and Dominican friar. As nobleman
and priest, Neville has the connections and influence
to move within the most powerful circles of Europe.
As a former soldier and scholar, he also has the qualifications
and experience to circulate within the more shadowy
and arcane cliques of medieval society. With his experience
and talent, as well his religious zeal, it is not
surprising that Neville has not only become one of
the Church's most effective spies, but will also become
one of its leading soldiers in the ultimate battle
against evil.
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The
only problem is, does Neville truly understand the nature
of evil? As the trilogy progresses, Neville is forced to confront
the terrifying possibility that everything he has built his
world upon is a lie, that the entire doctrine of the Catholic
Church has been built upon a terrifying evil, and that if
Christ Himself is to be saved, then only Neville can do it.
But
once Neville discovers who Christ really is, will he want to
save Him ... or condemn Him?
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The
action takes place in Rome, central Germany, France,
and England. THE CRUCIBLE is based on
historical fact, and uses historical figures but do
not expect it to be true to fact. This is the
medieval Europe of a parallel world, and so events
happen differently than they have done in this dimension.
(Physicists theorise that if someone travelled back
in time - and we know that time travel is possible,
but aren't sure how to travel back even if we know
how to travel forward - their mere presence in a past
world would necessarily so alter that world's future
it would become a parallel world.)
Whatever,
the sudden shift in mentality in the fourteenth to
fifteenth centuries is a well documented fact. Scholars
about the world twist themselves into knots trying
to discover the cause. Was it only the psychological
devastation of the Black Death ... or something else?
Possible causes include the introduction of the clock,
or the introduction of the zero which had not been
in use before. The Church fought long and hard against
the zero, believing it an instrument of the Devil
(because it represented 'nothing'), but it failed
... and the European mind was forever changed. Upon
such small ideas does the course of human history
falter.
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Copyright
© Sara Douglass Enterprises Pty Ltd 2006
No material may be reproduced without permission
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