Please also visit two other Sara Douglass websites
Garden History and Old London Maps

 


Can you write faster?

No. I write as fast as I am able, as fast as enables me to retain my sanity, and as fast as enables me to maintain a life. I'm actually slowing down my writing - for 4 or 5 years I put out two books a year, and that's too much. I need to slow down. From now on it will be one book a year.

Why are my books now coming out in trade paperbacks/hardback first, rather than mass market paperbacks?

Again, this is a publisher's decision based on marketing research. Authors have no say, so ring or write to HarperCollins or Tor about it. But as to why they do it ... well, it is a marketing decision, and it means a bit more money for both publisher, book seller and author. *grin*

What about that interview where you said you were thinking of moving on from writing?
(There used to be a link to the interview, but it has vanished from the world of the web and I can't find it again.)

Ah, the panic I caused with that! But I also stick by it - basically the interviewer noted the many changes of career I'd had in my life (nurse to medieval academic to fantasy author) and wondered what I'd do next. I said I had no idea, but that I couldn't see myself writing for the rest of my life. That got interpreted as "Douglass is going to give up writing!". Well ... one day I will give up writing, but I don't know when that will be - only when it no longer gets to be any fun or the 'expectations' start to get too onerous. At the moment I am very seriously thinking of taking a long (and maybe permanent) break from writing after The Troy Game. By then I will produced 16 novels in under 10 years, and I think I'll be ready for the scrap heap! I am very very tired of the promotional work and the media demands, and more than anything else the degree to which I am sick to death of those two things will determine when I stop writing.

Where do the names for characters come from?

From several sources: I either make them up, or find them in medieval poetry or other source material, or even from the Bible and classical literature. For the Tencendor books many of the characters' names came from a wonderful medieval poem called The Song of Roland - Belial, Magariz, Belaguez among others (so, no, I didn't realise Belial was supposed to be a devil!). If I am writing in a particular 'culture' then I will glance at the literature from that culture: for instance, in Threshold I got names from the Bible and sundry books on Egyptology, and others I just made up on the spot.

Why did I kill/maim/be cruel to 'x' character?

I am going to use Ray Feist's answer here: "Because I bloody well could". Because I'm the author and because it felt good for me and for the integrity of the novel at the time. I don't particularly like happy endings, and novels where no-one gets hurt occasionally makes for bland reading. Tension requires that the characters which readers get emotionally sympathetic with must occasionally die. Badly.

Recently one of my fans (Hello SinnerStar!) labeled the various nasty ends of my characters as a "Sara Fate: TM". I rather like that! I often imagine my characters sitting in a tea room somewhere behind the scenes thinking, "Oh God, she's running out of uses for me, I'm going to die badly very soon!".

Sometimes a Sara Fate:TM is simply because I'm having a very, very bad day - in the initial scene in BattleAxe where the woman gives birth ... well, that was supposed to be a normal birth, but I'd had SUCH a bad day at work, and by the time I got home and wrote that scene ... well ...

Is Faraday ever going to have a happy ending?

I would dearly like to squash her under a huge pumpkin studded with rusty twelve-inch nails so that she dies a lingering, painful death from blood poisoning and a badly leaking belly, and I reserve the right to do so any time I feel like it. (Of course, by the time you get to the end of "Crusader" you'll see that that is not quite the fate I've given her ... nevertheless, I've been nasty enough ...)

2005 update: Faraday will not, never, no way José, ever appear in the new Tencendor series, Darkglass Mountain.

 

 

Do I like my characters?

Sometimes, sometimes not. As is apparent in the above question, I have never liked Faraday very much, and other characters I get seriously annoyed with when they won't do what I want them to do. Basically my favourite characters are the secondary characters in any novel: Belial in "The Axis Trilogy", Zabrze and Isphet in "Threshold", and Baron Raby in "The Crucible".

What are you going to write next?

Whatever takes my fancy, and whatever I think I might be able to sell. My mind changes from week to week about what I'll do next. At the moment (2001-2002) I have jut completed a historical fantasy - a trilogy based around the adventures of Henry V and Joan of Arc ("The Crucible"). I'm currently working on the research for The Troy Game, which series should take me at least four years to write. After that ... well, after that I can seriously see a life beyond writing.

2005 update: The next few years will be taken up with Darkglass Mountain.

Why are so many facts wrong in The Crucible?

Because it amused me! *grin* The Crucible is based in an alternate world and I had a huge amount of fun doing what I wanted with the characters and events, and not what I was restricted to by the dry facts of history.

Are you aware that John of Gaunt and Katherine Swynford had four children and not two? This is a terrible error!

The fuss over my giving Gaunt and Swynford only two children instead of four has caused me the greatest astonishment. So many die-hard romantics have written to me telling me I had it all wrong. I think there must be a Gaunt/Swynford Appreciation Society out there somewhere. So, yes, I am and have been always very well aware that they had four children instead of two, but I had no role for four children - I only needed two. The number of semi-hysterical people who have demanded I correct this has amazed me - why is it so important? There are so many other deviations from fact in The Crucible (most far far worse than eliminating two children for the sake of plot), yet this is the only one that seems to bother people. Heck, I have Christ clambering down from his cross and having sex in an alleyway off Cheapside, but no one cares about that ... no, I must give John and Katherine the correct number of children, and I must do it now!

 

 

Is there going to be a film version of ...'whatever'?

I am not particularly concerned about seeing my books turned into films and don't chase the possibility down. I have no desire to sell the film rights of a novel to see it be massacred for the sake of Hollywood and for zilch returns (authors do badly out of film rights). I've had some discussions with directors/producers, but nothing has come of it.

Why don't I try and get my initial unpublished novels published?

Because I know they're awful. They were my 'learning pieces' and every writer needs them - but not to try to get published. Garth Nix once described the early novels that every writer need to write (and which will never get published) as the booster rockets/stages for space craft. They're critical for getting you into space, but you never reuse them. Once written, they've served their purpose and are never looked at again.

Who do I most like reading? (Who is my favourite author?)

I don't read much fantasy (many SF and fantasy authors never read in their genre). I honestly have no idea what's out there at the moment, or know what today's 'trends' are. I sat on a panel with 2 international fantasy authors recently, and they also sat bewildered when asked what fantasy they liked. They just don't read it. Of fantasy authors, I have enjoyed Tad Williams and some of Ray Feist's books the most. It would be easier for me to say who I didn't like ... but that wouldn't be diplomatic!

As far as relaxation goes, I read a great deal of nonfiction (mainly in historical or archeological fields) and I'm only now beginning to appreciate crime writing - Ruth Rendell in her guise as Barbara Vine is one of my favourite fiction authors, but Elizabeth George is also a favourite, as is Laurie R King. I can see myself taking up crime writing one day ...

Which authors most influenced me as a writer?

Again, this one always stumps me. I am not aware of any one or any several authors influencing me. I read everything I could get my hands on for the first half of my life, and I guess most of it influenced me in some manner, but I can't think of a single major one.

What are my hobbies?

Well ... gardening and books, really. I also enjoy playing about on the computer a fair bit. Gardening is a fairly new love, one I learned when I brought my first house (with the aid of the advance from the Australian edition of "The Wayfarer Redemption") in 1996. For the past 4 or 5 years I have spent just about every spare moment digging up flower beds, and re-digging up flower beds, and cornering fellow-fantasy authors in dark corners at conventions and discussing composting in great detail (some people now run whenever they see me). Gardening is my greatest love. You can follow my gardening adventures at Nonsuch Garden.

But then books have always been a great love as well. With the success of my own books I can now afford to collect in a way I never could previously. At the moment I am building up a library on medieval London. My growing library is also one of my biggest headaches - where do they all go? I desperately need more wall space for more bookcases ... (Update on the desperate need foe bookcases: Sept. 2001 - I have finally contacted a local cabinet maker and he is to build for me a fully installed library - 9 foot high glass fronted book cases in gothic style - I can't wait until they're in!).

How does someone become a writer?

Through very hard work and through years of practice. Writing is a craft as much as dentistry is, or as much as carpentry is, but many would-be authors simply think it is a matter of throwing words on to a page. People are prepared to train as a carpenter, or a dentist, but think they can instantly become a writer. Writing is many, many years of solitary writing and many more years of disappointments. Mostly, is it about learning the craft of grammar and style, and learning how to distance yourself from your work so you can learn from your mistakes. Novice or amateur writers tend to think of writing as an emotional experience, a talent that simply bubbles to the surface. It's nothing like that at all. Writing is as mundane a job, and as hard and as sometimes even as boring, as going in to the office every morning. If you're in love with the romantic idea of being a writer, then get over it! It is hard grinding work most of the time. See my pages on Writing for more details.

Should I approach a publisher directly, or should I get an agent?

Tough question, and it will differ from situation to situation and from country to country. Authors always get asked this, and every author will give you a different answer. Publishing is a tough industry to crack, but the best way is to a) be professional and b) be good (and that means the hard years put in learning skills). Some people succeed without an agent, some with. See my section on Publishing and Writing for details on agents and more ...

If you don't have an agent then it is always a good idea to get someone ( a professional, please, not your best friend!) to look over your contract for you or give you some advice on it (a contract lawyer would be your best bet). I know a well known fantasy author who has never had an agent or a lawyer - she told me she trusts her publishers implicitly. She shouldn't - from what she's told me of her contracts she's been taken for a long and appalling ride. Publishers will try and get the best contract possible - for them. Don't be afraid to negotiate. I also know a first time author, no agent, who has by herself negotiated with a major publisher a contract that many authors with agents would be envious of.

How do I get an agent?

Get lists from writer's societies, or search the WWW for lists (search for 'literary agents' on a search engine ... I've seen the lists out there, but can't remember where they are). Some agents are now so overwhelmed by manuscripts that they don't advertise by traditional means (e.g. phone books). They know that if a writer is professional enough, they will find the agent, and agents don't want to know about the unprofessional. Whatever, pick an agent who is still taking on clients and who likes to work in your area. Agents generally charge between 15% to 25% commission.

What's better to write, short stories or novels?

Whichever takes your fancy. Most writers tend to start out writing short stories and then slowly graduate on to novels. This is a good idea for one major reason: if you are writing short stories, you'll have the benefit of finishing a piece, learning from it, then going on to the next piece and doing better. Novice writers who start out on a trilogy first are probably never going to make it because they will never finish, learn, move on. I started my fantasy writing on a trilogy, true, but I was also a professional writer beforehand with numerous published and non-published works (including seven or eight novels). My first published fiction book, BattleAxe, was the result of fifteen years of practice. Short stories are a very good way to get that practice. Fantasy and SF magazines in Australia and overseas are fairly far and far between. Try Eidolon and Aurealis (both of which have web sites - I can't remember where they are now, but if you do a search you're bound to find them), but be aware that they get many thousands of stories a year, it takes them ages to get through, and they'll probably only take 20 of the three or four thousand they get.

What's the best way to succeed as a writer?

1. Be professional in everything you do. No-one needs to deal with enthusiastic amateurs when there are heaps of professional writers around.

2. Know how to write. Learn your craft. Don't just throw words on a page and think they look cute and that because your husband/sister/best friend also thinks they look cute that you don't need to do any more work. Family and friends are the very worst critics you will ever have. Be prepared to write 3 or 5 novels before you get to something that might be worth something.

3. Find a genre that suits your skills: your favourite genre may not be the best one for you to actually work in. For instance, I adore military adventure, thrillers, but I can't write them. On the other hand, fantasy is only of mild interest for me, but I know how to write it well. Experiment a bit.

4. Research your market. For instance, what are the current trends in fantasy? What publishers in what country publish what kind of material? What do they look for? A hint: if you have a dragon, a dark lord or a bevy of gnomes, elves and dwarves, you might not have much of a chance. Most editors right now are sick to death of hackneyed fantasy characters and plots. Dragons will almost certainly get you rejected every time. Tolkien may have been the master, but editors hate hopeful writers who can't think out something original for themselves (and Tolkien-imitations are now so numerous and so boring that no-one wants to read them). Also, make sure your women characters are very strong: most editors in the field are women, and if they see simpering, shallow female characters you'll never make it to the short list! Don't write in clichés, unless you know what you are doing and you are very good.

See also my section of Writing and The Publishing World for some other advice. That's about all the advice I can give you - if you want more, most areas in the western world (as the Internet) are overpopulated with writing courses, associations, groups etc. and any one of those would be glad to help.

Will you read my book/chapter/short story/poem?

No, for varying reasons. Legally, it is a minefield for me to do so because it could easily open me to charges of plagiarism at a later date. Reading someone else's novel takes a lot of time as well - I simply don't have the time to take a week off to read and comment on your work. Be professional, send it to an agent, writer's society, freelance editor etc. for comment. I receive many requests to read material, and while I wish you all the best of luck and appreciate how hard it can be to 'break through', I can't do it for you.

Can I put a link to your page?

Sure, that's fine.

Why don't I put up reviews?

Because I just don't have the time to type them up, because some reviewers have objected, but largely because I don't have time to read reviews. I don't think I've read one of them in 2 or 3 years.

How do I feel about reviews?

I don't feel much about them at all. Good reviews are fine, and so are bad ones. I often have a good laugh at the motives reviewers attribute to me (reviewers write for themselves more than for anyone else). Genre readers generally don't read reviews, so they make little to no difference to sales. The reviews that do matter to me are those that are passed down the 9 am tram: "What did you do over the weekend, Jim?" "Well, I read this great book ..." My agent once told me that word of mouth sold more books than anything else, and she was right.

 

 

 

 

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