So
I bought Nonsuch. I'd been looking for a property
for months,
and Nonsuch was quite literally
the last property on my list. I'd been flying
down to Tasmania each week to house hunt, and
was getting desperate. My own house in Bendigo
was on the market, and it looked like I might
not find anywhere suitable (and affordable!) in
Tasmania. I'd overlooked Nonsuch because it looked
to be in a state of some disrepair (appearances
were not deceiving!) and because I'd thought it
was already under contract (it was). But the estate
agent persuaded me the vendors might still consider
another offer and, desperate, I agreed to look
at the house.
My
friend and I arrived at 1.30 p.m. one Thursday
afternoon. Only the fact that the estate agent
knew I was there meant we didn't instantly drive
away. The roof was rusted away and panels of the
tin were lifting off in the breeze. The outside
of the house hadn't been painted in years and
had deteriorated badly. The beautiful wrap-around
(and massive) verandah listed charmingly to one
side and you had to be careful where you put your
feet in case you went through the floor. The house
had once been stunning, but now ... oh, now ...
But
we were there, and we couldn't afford to alienate
the estate agent (who knew what one of her houses
I'd need to be viewing the next month?), and so
we made our careful way across the verandah and
waited by the front door.
It
opened, we stepped inside, and I (as my friend)
was lost.
The
house was exquisite. In part this was its space,
its massive entrance hallway, the front rooms
with their bay windows, the living room with its
huge fireplace and intricate pressed tin ceiling,
the period touches, the brass work, but mostly
it was the feel of the house.
Nonsuch
exudes serenity. It exists in a most extraordinary
island of peace that touches everyone who enters
it.
"There
is only one thing I need to know," I said
to the estate agent before I'd taken more than
five steps inside, "and that is ... what
is it going to take for me to get this house?"